1
00:00:02,400 --> 00:00:04,000
Niahidi
kwamba utarudi

2
00:00:05,000 --> 00:00:07,100
Je, ikiwa siwezi?

3
00:00:07,300 --> 00:00:09,900
Yeye ni dhahiri
filamu kubwa zaidi

4
00:00:10,100 --> 00:00:12,600
ambayo nimewahi kufanya
kuhusu tamaa yake.

5
00:00:12,800 --> 00:00:14,600
Ukubwa wa mandhari yote,

6
00:00:14,800 --> 00:00:17,000
na idadi ya watu
inayohusika, ni kubwa.

7
00:00:17,100 --> 00:00:19,600
Mkurugenzi mkubwa
kama Christopher Nolan

8
00:00:19,800 --> 00:00:23,100
inaweza kuchanganya ukuu
na tendo, lakini pia moyo,

9
00:00:23,300 --> 00:00:24,900
ubinadamu na 
uhalisi.

10
00:00:25,100 --> 00:00:28,200
Hii hapa
kwa ubora wake

11
00:00:28,400 --> 00:00:30,200
kichefuchefu kamili,
hivyo kusema

12
00:00:30,500 --> 00:00:34,100
"Tutapiga kubwa zaidi na zaidi
filamu ya kuvutia ya wakati wote."

13
00:00:35,500 --> 00:00:40,100
Manukuu: CRETA STAR

14
00:00:41,000 --> 00:00:42,300
Twende nyumbani.

15
00:00:44,600 --> 00:00:47,600
"Odyssey"
ni hadithi kubwa.

16
00:00:47,800 --> 00:00:49,000
Na ndivyo hivyo
sehemu ya uzuri wake,

17
00:00:49,000 --> 00:00:50,400
kwa sababu kweli
sio hadithi moja tu.

18
00:00:50,700 --> 00:00:54,000
Inasimamia kujumuisha
aina nyingi tofauti.

19
00:00:54,200 --> 00:00:58,400
Kwangu, wazo la kuchukua nafasi 
hadithi kubwa hii

20
00:00:58,700 --> 00:01:01,800
na waigizaji nyota,
kwa kutumia mbinu zote

21
00:01:02,000 --> 00:01:05,100
na rasilimali nyingi
uzalishaji wa hollywood,

22
00:01:05,300 --> 00:01:07,000
ikiwa tunazungumza juu ya athari za kuona

23
00:01:07,100 --> 00:01:10,500
ama kwa matusi halisi,
maeneo ya asili au mazingira;

24
00:01:10,700 --> 00:01:12,800
tulihitaji kutumia
kila kitu kuhusu "Odyssey",

25
00:01:13,000 --> 00:01:14,300
kila njia inayowezekana.

26
00:01:14,500 --> 00:01:16,100
Hii haijawahi kutokea hapo awali,

27
00:01:16,100 --> 00:01:18,300
na ni kweli
changamoto ya kusisimua.

28
00:01:20,800 --> 00:01:23,000
Wewe ni mwanaume unayetaka 
ili kudhibiti hatima yake.

29
00:01:23,300 --> 00:01:26,100
Lakini huwezi kufanya hivyo
kukiangalia.

30
00:01:26,300 --> 00:01:29,300
Na tatu, mbili, moja, twende!

31
00:01:32,500 --> 00:01:35,200
Ni kuhusu
filamu kabambe kama hiyo.

32
00:01:35,400 --> 00:01:38,700
Ni kama saba tofauti 
filamu kabambe

33
00:01:38,900 --> 00:01:40,500
kuwa wameunganishwa kuwa kitu kimoja.

34
00:01:40,500 --> 00:01:44,100
Tulihitaji watu sahihi
kukabiliana na changamoto hii.

35
00:01:44,400 --> 00:01:46,100
Chris anakusanya
mafundi bora

36
00:01:46,300 --> 00:01:49,100
katika ulimwengu katika yale wanayofanya,
kisha anauliza kila mtu

37
00:01:49,300 --> 00:01:50,800
kuvuka mipaka yao.

38
00:01:51,000 --> 00:01:52,800
Ndivyo inavyofanya
sinema hizi za kusisimua,

39
00:01:53,000 --> 00:01:58,100
kwa sababu unahisi kila mtu
kujaribu

40
00:01:58,200 --> 00:02:02,300
kufanya jambo bora zaidi
kuliko walivyowahi kufanya

41
00:02:02,600 --> 00:02:04,700
kujibu
kwa kile wanachoulizwa.

42
00:02:07,700 --> 00:02:09,000
Chris alinitazama na kusema,

43
00:02:09,200 --> 00:02:10,700
“Atakuwa
filamu ngumu."

44
00:02:10,900 --> 00:02:12,500
Ndipo nikamwambia,
"Ndiyo, najua."

45
00:02:12,500 --> 00:02:16,000
Naye ananiambia, “Hapana, itakuwa
kweli, ngumu sana."

46
00:02:16,200 --> 00:02:18,100
Nami nikamjibu,
"Imekwisha, naipata."

47
00:02:19,500 --> 00:02:21,800
Sehemu ya kile ninachofanya 
sinema zangu kwa miaka mingi,

48
00:02:22,000 --> 00:02:25,400
ikiwa tunazungumza juu ya "The Dark Knight",
ama kwa "Interstellar"

49
00:02:25,600 --> 00:02:29,100
au 'Kuanzishwa', ni kuchukua
wakati mwingine mawazo ya ajabu,

50
00:02:29,300 --> 00:02:30,900
lakini kujaribu
ili kuzianzisha

51
00:02:31,100 --> 00:02:32,800
kwa kitu kweli
inayojulikana kwa umma.

52
00:02:32,800 --> 00:02:37,100
Na nilitaka njia hiyo 
ya mythology ya Kigiriki.

53
00:02:37,200 --> 00:02:39,200
Huu ni mradi mkubwa
kwa kila mkuu wa idara,

54
00:02:39,500 --> 00:02:43,100
kupata hisia ya kuunda
dunia nzima

55
00:02:43,200 --> 00:02:46,400
kwamba unaweza kuleta uzima
mbele ya kamera

56
00:02:46,600 --> 00:02:48,600
na kisha kuhamisha
umma ndani yake.

57
00:02:50,700 --> 00:02:52,600
Sisi sote tuna lengo moja,

58
00:02:52,800 --> 00:02:54,400
kupata walio bora zaidi
suluhisho zinazowezekana,

59
00:02:54,600 --> 00:02:57,000
kimsingi ina maana
kwenye kamera yenyewe.

60
00:02:57,100 --> 00:03:00,100
Jukumu langu ni
kusumbua akili yangu kila mara

61
00:03:00,300 --> 00:03:02,500
kuhusu jinsi tutafanya hivi,

62
00:03:02,700 --> 00:03:04,800
kitu ambacho kinaweza kujumuisha
athari maalum,

63
00:03:05,000 --> 00:03:07,600
idara ya mandhari
au mtu mwingine yeyote.

64
00:03:07,800 --> 00:03:11,000
Nilijikumbusha
na nilikuwa nikijifunza moja kwa moja

65
00:03:11,100 --> 00:03:14,100
kila siku kauli mbiu ya chris:

66
00:03:14,400 --> 00:03:16,200
"Ikiwa ni rahisi,
kila mtu angefanya."

67
00:03:16,400 --> 00:03:20,300
Hakuna aliyeweza kusimama 
kati yangu na nyumba yangu.

68
00:03:20,500 --> 00:03:22,300
Hata miungu.

69
00:03:25,400 --> 00:03:27,400
Nahisi tumerudi
filamu sita au saba,

70
00:03:27,600 --> 00:03:29,400
na kwa maana fulani,
ndivyo tulivyofanya.

71
00:03:29,600 --> 00:03:32,200
Kila sura
ya tukio hili

72
00:03:32,300 --> 00:03:34,100
ilirekodiwa
katika eneo tofauti,

73
00:03:34,300 --> 00:03:36,200
ambayo aliwasilisha
changamoto tofauti.

74
00:03:38,200 --> 00:03:40,200
Unajua jinsi maeneo,

75
00:03:40,400 --> 00:03:42,200
unaposimulia
hadithi kama hiyo

76
00:03:42,400 --> 00:03:43,400
ni kama wanaunda
wahusika tofauti,

77
00:03:43,700 --> 00:03:45,300
hivyo lazima iwe
maalum kweli.

78
00:03:45,600 --> 00:03:50,300
Na kwa hivyo tulijikuta katika baadhi
maeneo ya ajabu sana.

79
00:03:50,500 --> 00:03:52,100
Kuna sehemu za ulimwengu
ambayo siamini hivyo

80
00:03:52,300 --> 00:03:55,100
ningewahi kuona au hata kujua,

81
00:03:55,300 --> 00:03:57,500
kama sikuishi uzoefu huu.

82
00:03:57,800 --> 00:04:00,000
Kuna kiwango
ufahamu

83
00:04:00,200 --> 00:04:02,100
kwamba kupata
wakati kitu ni kweli.

84
00:04:02,200 --> 00:04:04,800
Hivyo wakati wewe ni
katika maeneo haya, unajisikia,

85
00:04:05,100 --> 00:04:07,200
na hiyo inaongeza
mwelekeo mwingine

86
00:04:07,300 --> 00:04:09,200
katika kile unachojaribu kueleza.

87
00:04:09,500 --> 00:04:11,000
Twende!

88
00:04:11,000 --> 00:04:13,000
Moja ya mambo ninayopenda
risasi katika maeneo ya asili

89
00:04:13,200 --> 00:04:16,500
ni kwamba tunabadilisha nchi
kila baada ya wiki mbili hivi.

90
00:04:16,700 --> 00:04:20,100
Na hiyo inakupa
nguvu ya ajabu.

91
00:04:20,300 --> 00:04:22,200
Ugumu katika filamu hii
ni kwamba tunageuka

92
00:04:22,400 --> 00:04:23,600
katika maeneo ya ajabu

93
00:04:23,600 --> 00:04:25,700
ambazo zilikuwa ngumu kufikiwa
na ngumu kupiga.

94
00:04:25,900 --> 00:04:27,700
Unajua, kwa kawaida
katika filamu ya Hollywood,

95
00:04:27,900 --> 00:04:30,600
msingi wa uzalishaji ni kumi tu mbali 
sekunde kutoka kwa seti.

96
00:04:30,800 --> 00:04:32,500
Lakini unapogeuka
filamu ya chris nolan,

97
00:04:32,700 --> 00:04:38,200
ni kama unapaswa kufanya 
kupanda viatu.

98
00:04:38,400 --> 00:04:42,500
Tuko mahali
ambayo inaitwa Santa Catarina Castle.

99
00:04:42,800 --> 00:04:44,100
Iko juu ya kilima.

100
00:04:44,200 --> 00:04:46,200
Vifaa vyote
inahamishwa hapa.

101
00:04:46,500 --> 00:04:47,500
Guys, inabidi
vuta huyo pia.

102
00:04:47,800 --> 00:04:49,500
Kupakia vifaa
itakuwa kichaa.

103
00:04:54,500 --> 00:04:57,200
Wacha tupakie vifaa
ya kamera

104
00:04:57,500 --> 00:05:00,500
na vifaa vya msaada,
wote hapa mlimani.

105
00:05:00,700 --> 00:05:02,700
Tuna, kimsingi,
njia,

106
00:05:02,900 --> 00:05:05,600
gari la kebo ya usafirishaji
kwa vifaa,

107
00:05:05,800 --> 00:05:07,600
na baadhi ya helikopta
kubeba

108
00:05:07,800 --> 00:05:09,100
vifaa na semina
kila inapohitajika.

109
00:05:09,300 --> 00:05:11,800
Sisi sote tunahisi
hivyo bahati

110
00:05:12,000 --> 00:05:16,900
Kwa jinsi ilivyo ngumu
tufanye kazi hapa juu...

111
00:05:18,500 --> 00:05:20,600
Ni thamani yake.

112
00:05:20,800 --> 00:05:23,500
Kuwa
juu ya mlima

113
00:05:23,800 --> 00:05:25,600
na kuweza kugeuka
digrii 360,

114
00:05:25,800 --> 00:05:28,500
bila wasiwasi
kwa asili ya bluu

115
00:05:28,800 --> 00:05:30,400
au kwa taa za athari za kuona,

116
00:05:30,400 --> 00:05:32,300
na haya yote
inatupa uhuru mkubwa,

117
00:05:32,500 --> 00:05:34,900
kama waigizaji,
tujiachie kwa sasa

118
00:05:35,200 --> 00:05:37,900
ambapo inatosha tu
kuwa binadamu

119
00:05:38,100 --> 00:05:40,200
na kuguswa
katika machweo mazuri ya jua

120
00:05:40,300 --> 00:05:41,900
juu ya mlima.

121
00:05:42,100 --> 00:05:43,800
Kwa uaminifu, katika kila eneo
tulikuwa tunaenda wapi

122
00:05:44,000 --> 00:05:45,500
Nilikuwa nikifika huko
nikaanza kucheka.

123
00:05:45,700 --> 00:05:49,600
Nilikuwa nikifikiria: "Nani aliamua
piga filamu hapa?'

124
00:05:49,900 --> 00:05:52,000
Unajua, tunarudi kwenye Pango 
Nestor, Ugiriki.

125
00:05:52,300 --> 00:05:55,000
Wanasema ni pango
ambapo Zeus alizaliwa,

126
00:05:55,200 --> 00:05:58,100
na ni mahali pa ajabu,
lakini hakuna aliyewahi kuwa nayo

127
00:05:58,300 --> 00:05:59,700
jaribu kugeuka
filamu huko juu.

128
00:05:59,900 --> 00:06:02,200
Na unapoinuka hapo
pamoja na wafanyakazi wote

129
00:06:02,400 --> 00:06:05,400
na unaona ujenzi
ambayo kimsingi waliianzisha

130
00:06:05,600 --> 00:06:08,500
kuigeuza kuwa moja 
seti ya filamu asilia...

131
00:06:08,700 --> 00:06:11,500
Sijui mtu mwingine yeyote
mkurugenzi ambaye angejaribu.

132
00:06:11,700 --> 00:06:15,300
Haikuwepo
hakuna eneo moja

133
00:06:15,500 --> 00:06:19,200
rahisi. Lakini wote walitumikia
hadithi.

134
00:06:19,400 --> 00:06:22,300
Sinema isingekuwa
yeye ni nani

135
00:06:22,500 --> 00:06:25,200
kama hatukuenda huko
na kwa kweli hatukufanya hivyo.

136
00:06:25,300 --> 00:06:28,800
Niambie unakumbuka nini.

137
00:06:29,000 --> 00:06:31,600
Tulishinda vita.

138
00:06:31,800 --> 00:06:33,300
Na kisha?

139
00:06:40,600 --> 00:06:43,400
Chris hawezi kutosha
kwa yale ambayo tayari yamefanyika.

140
00:06:43,600 --> 00:06:45,900
Anataka kufanya mambo
ambayo haijawahi kutokea hapo awali

141
00:06:46,100 --> 00:06:48,200
na kwa kweli kwa mizani
ambayo haijawahi kuwepo.

142
00:06:48,400 --> 00:06:51,500
Na chochote anachoweza kufanya
ili kuboresha uzoefu

143
00:06:51,800 --> 00:06:54,400
ya kutazama sinema
na burudani,

144
00:06:54,500 --> 00:06:56,100
hilo ndilo lengo lake.

145
00:06:57,500 --> 00:07:00,400
Siku yangu ya kwanza
huko Morocco,

146
00:07:00,600 --> 00:07:02,200
walikuwa wakirekodi eneo la tukio
ufukweni

147
00:07:02,400 --> 00:07:03,700
wanatoka wapi
farasi kutoka baharini.

148
00:07:03,900 --> 00:07:05,900
Niliuliza:
"Naweza kutembelea seti?"

149
00:07:06,100 --> 00:07:10,000
Kwa hiyo nilitembea
juu ya mwamba wa mchanga.

150
00:07:10,200 --> 00:07:11,900
Na lazima nilitembea
dakika ishirini

151
00:07:12,200 --> 00:07:14,600
kati ya ziada,
boti, moto na mandhari,

152
00:07:14,900 --> 00:07:16,100
kabla sijamuona mjumbe wa kwanza
ya warsha.

153
00:07:16,300 --> 00:07:17,600
Nilikuwa nikifikiria:
"Wapi warsha?"

154
00:07:17,800 --> 00:07:19,200
Namaanisha, kila mtu yuko wapi?

155
00:07:19,400 --> 00:07:21,000
Hiyo ndiyo ilikuwa wakati
kwamba kweli nilitambua

156
00:07:21,300 --> 00:07:23,400
jinsi nilivyokuwa na bahati
kwamba nilishiriki katika jambo fulani

157
00:07:23,700 --> 00:07:26,000
tofauti sana
na kujitenga.

158
00:07:26,200 --> 00:07:28,400
Kwa sababu sikuwahi kuona hapo awali
kitu cha kiwango hicho.

159
00:07:30,600 --> 00:07:34,000
Tunapozungumza juu ya sinema
kiwango kikubwa,

160
00:07:34,200 --> 00:07:37,800
kila sehemu ya filamu lazima 
kuwa ya kuvutia.

161
00:07:38,000 --> 00:07:39,000
Lazima afikishe
watazamaji mahali fulani

162
00:07:39,200 --> 00:07:40,500
ambayo haijapatikana tena.

163
00:07:40,500 --> 00:07:43,000
Troy, kwa mfano,
na kuanguka kwa Troy,

164
00:07:43,200 --> 00:07:46,700
walipaswa kutolewa
kwa kiwango kikubwa sana.

165
00:07:50,100 --> 00:07:51,600
Nilijua tangu mwanzo haitafanya hivyo 
kulikuwa na viendelezi vilivyowekwa,

166
00:07:51,900 --> 00:07:53,300
hakuna CGI pia.

167
00:07:53,500 --> 00:07:55,600
Tulitaka kujenga
nyingi iwezekanavyo.

168
00:07:55,800 --> 00:07:59,400
Ugunduzi wa scalar hii 
mji wa Ait Benhadou,

169
00:07:59,600 --> 00:08:02,100
na viwango tofauti
imetusaidia sana,

170
00:08:02,300 --> 00:08:05,100
na kisha tukatengeneza 
kila kitu kuhusu yeye.

171
00:08:05,300 --> 00:08:07,200
Hiyo ni kweli
kubwa.

172
00:08:07,400 --> 00:08:10,700
Inatoa hisia kweli
ya jiji kubwa.

173
00:08:11,000 --> 00:08:12,800
Wacha tuseme tulifanya
hatua nyingi kila siku.

174
00:08:13,000 --> 00:08:18,100
Na tulitaka farasi kushindana 
kwa ukubwa wa hekalu.

175
00:08:18,300 --> 00:08:21,800
Je, umewahi kusikia
hadithi ya farasi?

176
00:08:26,700 --> 00:08:29,400
Ni takriban
mita 10.5 na uzani

177
00:08:29,500 --> 00:08:32,200
Pauni 8,000 hadi 9,000.
Tuliibeba katika masanduku tisa.

178
00:08:32,400 --> 00:08:34,100
Umma unajua
nzuri sana hila hii.

179
00:08:34,300 --> 00:08:35,700
Kila mtu anajua
farasi wa trojan ni nini

180
00:08:35,900 --> 00:08:37,400
Haiwezi kuwa sawa
na mkokoteni mkubwa ...

181
00:08:37,600 --> 00:08:39,100
Hakuweza
kuwa kwenye magurudumu.

182
00:08:39,300 --> 00:08:41,600
Hivi ndivyo nilivyopata wazo:
na kama ingeachwa hapo,

183
00:08:41,800 --> 00:08:43,500
kama ilivyokusudiwa
kuchukuliwa na mawimbi,

184
00:08:43,700 --> 00:08:45,500
kama sadaka kwa Neptune?

185
00:08:45,700 --> 00:08:48,300
Chris na mimi
tulitaka hasa

186
00:08:48,500 --> 00:08:50,800
farasi
na mwonekano wa kisasa zaidi.

187
00:08:51,000 --> 00:08:52,800
Walikuwa mafundi wakubwa
na watu wa baharini.

188
00:08:53,000 --> 00:08:55,800
Hivyo ndivyo tulivyotiwa moyo
kutokana na uwekezaji wa meli hizo

189
00:08:56,100 --> 00:08:58,600
na tukatuma maombi
mchoro huu juu ya farasi,

190
00:08:58,800 --> 00:09:01,500
kuunda Trojan Horse 
ambayo hujawahi kuona hapo awali.

191
00:09:01,700 --> 00:09:04,600
Lengo lilikuwa ni kuweza 
wakiongozwa na nguvu za kibinadamu,

192
00:09:04,800 --> 00:09:07,300
kwa sababu katika hati
anavutwa na wanaume 100.

193
00:09:07,500 --> 00:09:09,300
Kwa hiyo tulifanya kazi kwa bidii sana

194
00:09:09,500 --> 00:09:11,300
ili iwe
muda mrefu zaidi,

195
00:09:11,500 --> 00:09:13,100
ilikuwa nyepesi na thabiti.

196
00:09:13,100 --> 00:09:14,500
Wakati wanasema inahitajika 
kijiji, wanamaanisha.

197
00:09:14,600 --> 00:09:16,300
Idara ya athari maalum
ilijenga mifupa ya msingi.

198
00:09:16,500 --> 00:09:18,500
Tumefanikiwa
vipande vyote vya mtu binafsi.

199
00:09:18,700 --> 00:09:20,700
Hapo awali, farasi wote walikuwa 
kuchonga kutoka kwa povu.

200
00:09:20,900 --> 00:09:23,800
Na kutoka hapo tuliumba 
ukungu.

201
00:09:24,000 --> 00:09:25,500
Na kisha tukajenga 
paneli za fiberglass

202
00:09:25,600 --> 00:09:27,700
na tukaongeza
mifupa yote ya ndani.

203
00:09:30,200 --> 00:09:31,600
Hii ilikuwa ya ajabu.

204
00:09:31,800 --> 00:09:34,700
Na kweli walifanya
kutoka pwani hadi mjini,

205
00:09:34,900 --> 00:09:37,300
wakaiweka mbele
katika Hekalu la Athena.

206
00:09:37,500 --> 00:09:38,700
Ni kweli kama
movie nzima hii;

207
00:09:39,000 --> 00:09:40,400
kuna nzima
njia nyuma ya kila kitu.

208
00:09:40,400 --> 00:09:42,000
Kila mtu anafanya kazi pamoja
kuifanya iwe kweli.

209
00:09:42,200 --> 00:09:44,800
Unapoona yote pamoja,
pamoja na mavazi

210
00:09:45,100 --> 00:09:46,800
na watu wote,
ni kweli epic.

211
00:09:47,100 --> 00:09:50,300
Kusema kweli, inashangaza
kuona imekamilika.

212
00:09:50,500 --> 00:09:52,500
Comps hizi zote.

213
00:09:52,600 --> 00:09:56,100
Nakumbuka nikienda jukwaani 
ya wandugu huko Ouarzazate,

214
00:09:56,300 --> 00:09:59,100
na kusema, "Ee Mungu wangu..."

215
00:09:59,300 --> 00:10:01,700
Ilikuwa kweli
kitu cha kushangaza.

216
00:10:01,900 --> 00:10:04,800
Sijui hata jinsi gani
tulifanikiwa.

217
00:10:05,000 --> 00:10:09,000
Ambayo daima ilikuwa muhimu sana 
katika kubuni ilikuwa texture.

218
00:10:09,300 --> 00:10:12,600
textures walikuwa
lazima kabisa

219
00:10:12,800 --> 00:10:14,600
kwa kila mmoja
kutoka kwa wahusika.

220
00:10:14,800 --> 00:10:16,000
Hakuna kitu kilikuwa gorofa.

221
00:10:16,200 --> 00:10:18,400
Kila kitu kilifanya kazi
hisia za 3D,

222
00:10:18,600 --> 00:10:20,600
na kweli unaweza
kuhisi.

223
00:10:20,700 --> 00:10:22,000
Kuna maelezo mengi sana
na mawazo

224
00:10:22,200 --> 00:10:25,200
katika kila suti
na kila mpangilio.

225
00:10:25,400 --> 00:10:28,600
Seti ni kubwa sana,
na kila mtu anafanya kazi

226
00:10:28,800 --> 00:10:32,400
kwa kiwango cha juu kama hicho, unahisi
mambo vipi duniani

227
00:10:32,600 --> 00:10:35,500
Kama kweli niliingia
katika dunia hii.

228
00:10:37,800 --> 00:10:39,500
Mfalme wa Ithaca
inarudi

229
00:10:39,700 --> 00:10:40,900
Hapana, hatarudi.

230
00:10:43,200 --> 00:10:46,100
Kwa Ithaca ya Odysseus,
na ikulu,

231
00:10:46,300 --> 00:10:49,900
tulitumia zilizopo 
magofu na kujengwa juu yake.

232
00:10:50,100 --> 00:10:53,800
Ilitubidi kuwashawishi watazamaji kwa nini 
anataka kurudi nyumbani.

233
00:10:54,000 --> 00:10:55,800
Nilipofika kwanza
huko Faviniana,

234
00:10:56,000 --> 00:10:59,500
Sikuweza hata kutambua kwamba 
nusu ya mandhari ilikuwa ujenzi.

235
00:10:59,700 --> 00:11:02,900
Nakumbuka konda
kwenye ukuta,

236
00:11:03,100 --> 00:11:04,600
na alikuwa laini.

237
00:11:04,700 --> 00:11:06,800
Na bado alikuwa na umoja
kabisa na magofu halisi.

238
00:11:07,100 --> 00:11:08,600
Ilikuwa ni ajabu sana.

239
00:11:08,600 --> 00:11:10,800
Ruthu anakaribia kila kitu 
ukweli kulingana

240
00:11:11,000 --> 00:11:13,000
kwenda mahali
na kujenga huko,

241
00:11:13,200 --> 00:11:14,500
kumbadilisha
kwa kile kinachohitajika,

242
00:11:14,700 --> 00:11:16,100
kulingana na nini
tayari ipo.

243
00:11:16,400 --> 00:11:18,100
Tulifanya haya yote.
Tuliwaongeza.

244
00:11:19,600 --> 00:11:20,900
Na kisha unageuka
kuelekea hapa

245
00:11:21,100 --> 00:11:24,200
na unakabiliwa na haya yote,
ambayo ni epic kweli.

246
00:11:24,500 --> 00:11:26,200
Hii itaunganishwa
na ikulu yetu,

247
00:11:26,500 --> 00:11:28,500
ambayo ilijengwa katika studio
huko Los Angeles.

248
00:11:28,600 --> 00:11:31,800
Chris alijua anataka hii
kuwa jukwaa kubwa sana.

249
00:11:32,000 --> 00:11:34,900
Kwa kweli, yeye ndiye pekee
ujenzi mkubwa wa filamu nzima.

250
00:11:35,200 --> 00:11:39,100
Kila kitu kingine kilijengwa 
kwenye tovuti, katika mazingira ya asili.

251
00:11:39,300 --> 00:11:43,300
Ruth na timu yake walifanya hivi
mandhari ya kushangaza kabisa,

252
00:11:43,500 --> 00:11:47,700
ambayo ilikuwa kubwa kweli
na maelezo ya ajabu.

253
00:11:48,000 --> 00:11:50,100
Na ulipoingia, hukujisikia 
kwamba ulikuwa jukwaani.

254
00:11:50,300 --> 00:11:53,900
Ulihisi ndivyo ilivyokuwa
dunia nzima.

255
00:12:04,600 --> 00:12:07,400
Sawa, wavulana.

256
00:12:07,600 --> 00:12:09,600
Hifadhi ya haraka
na kuendelea.

257
00:12:09,800 --> 00:12:12,000
Kukataa, endelea,
mbele na unaanguka chini.

258
00:12:12,200 --> 00:12:14,700
Unapochukua nafasi
kitu hivyo Epic

259
00:12:14,900 --> 00:12:17,000
na kubwa kama hii,

260
00:12:17,200 --> 00:12:20,100
kwa kuvamia malango
ya Troy, Farasi wa Trojan,

261
00:12:20,300 --> 00:12:23,400
pinde, mishale
na panga,

262
00:12:23,600 --> 00:12:25,000
unafikiri, tutafanyaje?
kwa ngazi inayofuata?

263
00:12:25,300 --> 00:12:27,300
Pitia hatua hii tena,

264
00:12:27,500 --> 00:12:29,300
unapokamata
mashimo haya mawili.

265
00:12:29,300 --> 00:12:31,800
Nilimwambia George Cottle,
vita vya sinema,

266
00:12:32,000 --> 00:12:35,600
hatua ya filamu, lazima 
inavutia na kushawishi,

267
00:12:35,800 --> 00:12:36,700
nao lazima waifanye
waigizaji wenyewe.

268
00:12:39,700 --> 00:12:41,500
Matt na waigizaji wote

269
00:12:41,700 --> 00:12:43,900
ilikuwa katika ubora
hali ya kimwili,

270
00:12:44,100 --> 00:12:47,300
na kila mtu alifanya kazi kwa bidii sana
kuifanikisha.

271
00:12:49,500 --> 00:12:52,000
Vita vya sinema
wao ni zaidi kama ngoma,

272
00:12:52,200 --> 00:12:53,600
kwa sababu wanahitaji
wapinzani wote wawili

273
00:12:53,800 --> 00:12:55,200
kuwa katika nafasi sahihi.

274
00:12:55,400 --> 00:12:58,100
Watu aliowaweka
George karibu yangu

275
00:12:58,300 --> 00:13:01,600
walikuwa na uzoefu mkubwa, hivyo 
Nilikuwa nikipitia kwa mtaalamu

276
00:13:01,800 --> 00:13:04,000
"mshirika wa dansi" hadi inayofuata.

277
00:13:04,200 --> 00:13:06,900
Waigizaji wanapaswa kuwa sawa 
mzuri na watu wanaodumaa,

278
00:13:07,100 --> 00:13:10,700
lakini wakati huo huo kufikisha
na mwelekeo wa uigizaji.

279
00:13:10,800 --> 00:13:13,800
Ndiyo sababu tunajaribu
choreografia

280
00:13:14,000 --> 00:13:15,500
kuwa asili ya pili kwao,

281
00:13:15,700 --> 00:13:17,900
ili wakusanyike
kweli katika tabia zao.

282
00:13:18,100 --> 00:13:19,800
Unajua, wakurugenzi wengi
wangeona hatua

283
00:13:20,100 --> 00:13:22,100
na wangesema, “Inaonekana kuwa ya kustaajabisha.
Ivute.”

284
00:13:22,300 --> 00:13:24,700
Lakini Chris anashangaa:
"Kwa nini ni nzuri sana?"

285
00:13:24,900 --> 00:13:27,000
na ni nini kinachotembea
wahusika hawa?

286
00:13:27,200 --> 00:13:30,200
Kwamba anaona haya madogo
nyakati za simulizi

287
00:13:30,400 --> 00:13:32,600
katika hatua kubwa ni hii 
hiyo inamfanya Chris awe wa pekee sana.

288
00:13:32,800 --> 00:13:34,200
Sawa, twende.

289
00:13:34,400 --> 00:13:35,700
Twende!

290
00:13:41,800 --> 00:13:43,800
Kaa kwenye kozi!

291
00:13:47,500 --> 00:13:49,400
Wapiga makasia: Vuta!

292
00:13:49,600 --> 00:13:51,700
Na kuvuta!

293
00:13:51,900 --> 00:13:53,700
Nilipokuwa nikihariri maandishi,

294
00:13:53,900 --> 00:13:55,800
Nilitumaini kwa siri ningeweza
kuweka kikomo

295
00:13:56,000 --> 00:13:57,800
kadri iwezekanavyo wakati huo 
kwenye meli.

296
00:13:58,000 --> 00:13:59,400
Lakini ni "Odyssey".

297
00:13:59,600 --> 00:14:00,800
Bila shaka tungepita
miezi kwenye meli hii,

298
00:14:01,100 --> 00:14:02,200
kama ilivyotokea.

299
00:14:02,400 --> 00:14:04,100
Taarifa ya mwisho.

300
00:14:04,100 --> 00:14:05,400
Nani hahitaji ndani yake 
meli, iache ishuke sasa.

301
00:14:05,600 --> 00:14:06,800
Meli inaondoka.

302
00:14:06,800 --> 00:14:08,000
Moja ya kuu
changamoto zilikuwa hapa

303
00:14:08,000 --> 00:14:10,800
tuliyotumia
kipindi cha meli za mbao.

304
00:14:11,000 --> 00:14:12,900
Tulifanya kila tuliloweza 
ficha injini ndani yao,

305
00:14:13,200 --> 00:14:14,400
lakini injini hizi
walitumikia tu

306
00:14:14,600 --> 00:14:16,700
kuweka
meli kwenye mkondo wake.

307
00:14:16,800 --> 00:14:18,000
Walakini, mwishowe, meli zililazimika 
kuzishughulikia

308
00:14:18,200 --> 00:14:20,300
nusu wadumavu
na nusu waigizaji.

309
00:14:20,500 --> 00:14:23,600
Kuna sababu kwamba leo
sisi si kupiga makasia

310
00:14:23,800 --> 00:14:25,800
boti kubwa wazi
katika bahari.

311
00:14:26,000 --> 00:14:29,300
Lakini kupata hii 
hisia, unapaswa kufanya hivyo kwa kweli.

312
00:14:29,500 --> 00:14:30,900
Tulipiga makasia meli hii.

313
00:14:31,100 --> 00:14:32,700
Na ninaposema "sisi", ninamaanisha wao
watu maskini huko nje.

314
00:14:34,700 --> 00:14:38,800
Kulikuwa na kambi
mafunzo ya kupiga makasia,

315
00:14:39,000 --> 00:14:42,500
kwa sababu wanaume wote
ya Odysseus walipaswa kujifunza

316
00:14:42,500 --> 00:14:44,400
kupiga makasia jitu hili
Meli ya tani 100.

317
00:14:44,400 --> 00:14:46,800
Wakati meli inasonga,
ukipoteza kasia,

318
00:14:47,000 --> 00:14:48,300
anaweza kukupiga
kifuani,

319
00:14:48,500 --> 00:14:49,800
na inaweza hata
ili kukuinua

320
00:14:50,000 --> 00:14:51,400
na kukutupa
nje ya meli.

321
00:14:51,400 --> 00:14:53,400
Inahitaji uangalifu wa mara kwa mara

322
00:14:53,600 --> 00:14:54,800
kuwa salama.

323
00:14:55,000 --> 00:14:57,100
Mwanzoni hawakuelewana,

324
00:14:57,300 --> 00:14:59,900
lakini ndani ya siku chache
zililandanishwa

325
00:15:00,100 --> 00:15:04,600
na makasia yakaingia,
walikuwa wanatoka, tayari kupiga makasia.

326
00:15:04,800 --> 00:15:06,600
Panga safu!

327
00:15:06,800 --> 00:15:08,600
Na safu!

328
00:15:08,800 --> 00:15:11,500
Walijifunza jinsi ya kuinua
meli ya meli.

329
00:15:11,700 --> 00:15:13,300
Walijifunza kupiga makasia.

330
00:15:13,500 --> 00:15:14,900
Tulikuwa huko nje
na tulifanya yote kwa kweli,

331
00:15:15,100 --> 00:15:17,700
na hii inachosha
watu incredibly.

332
00:15:17,900 --> 00:15:20,200
Ilikuwa nzuri,
ngumu sana.

333
00:15:20,400 --> 00:15:22,200
Kwamba tulikuwa
wote pamoja ndani ya meli,

334
00:15:22,400 --> 00:15:25,100
na hakuna mtu aliyeweza kuondoka 
au kwenda kukaa mahali fulani,

335
00:15:25,400 --> 00:15:27,400
wala kwenda
katika msafara wake...

336
00:15:27,700 --> 00:15:30,500
Tulikuwa wote pamoja
katikati ya bahari.

337
00:15:30,700 --> 00:15:33,300
Na kisha ilikuwa:
"Nini kinachofuata?"

338
00:15:33,500 --> 00:15:35,100
Tunafunga.

339
00:15:35,100 --> 00:15:38,100
Matt anaangalia upande
ambapo meli inasafiri

340
00:15:38,400 --> 00:15:41,300
na pomboo anaruka tu
kupitia fremu.

341
00:15:41,500 --> 00:15:43,600
Namaanisha, njoo sasa.

342
00:15:43,800 --> 00:15:46,200
Ninajua ambapo haingetokea ingawa 
hii: katika tank risasi.

343
00:15:46,500 --> 00:15:47,800
Kwa bahati nzuri tulikuwa naye 
kamera kubwa ya IMAX,

344
00:15:48,000 --> 00:15:49,000
na tukairekodi.

345
00:15:54,300 --> 00:15:56,400
kwa ajili yangu,
ilikuwa ndoto ya maisha,

346
00:15:56,600 --> 00:15:58,500
kweli tangu wakati huo
nilipokuwa na umri wa miaka 16 hivi,

347
00:15:58,700 --> 00:16:01,700
kutengeneza filamu nzima
katika IMAX.

348
00:16:01,900 --> 00:16:04,300
Jambo ambalo daima lilisimama katika njia yetu
ilikuwa sauti.

349
00:16:06,500 --> 00:16:08,500
Vipengele vya IMAX
timu ya ajabu ya wahandisi,

350
00:16:08,700 --> 00:16:13,200
ambayo alipata njia ya kuifunga 
kamera ndani ya nyumba hii,

351
00:16:13,400 --> 00:16:15,400
ili tuweze kugeuka
matukio ya kibinafsi zaidi.

352
00:16:15,700 --> 00:16:17,500
Tunaweza kuwa na kamera
inchi chache tu

353
00:16:17,800 --> 00:16:20,300
na licha ya hayo yote
kurekodi mazungumzo.

354
00:16:20,500 --> 00:16:22,000
Kwa hivyo, kwa mara ya kwanza,

355
00:16:22,200 --> 00:16:23,600
tulifanikiwa kurudi
filamu nzima

356
00:16:23,800 --> 00:16:26,100
kwa ajabu
Muundo wa filamu wa IMAX.

357
00:16:26,300 --> 00:16:29,500
Ni ndoto ambayo nimekuwa nayo kwa miaka mingi
na hatimaye ilitimia.

358
00:16:29,700 --> 00:16:32,400
Sisi, kama waumbaji,
tusiwe na raha.

359
00:16:32,600 --> 00:16:34,800
Tunapaswa kutoa
kwa watazamaji

360
00:16:34,900 --> 00:16:36,800
bora zaidi
uzoefu wa sinema.

361
00:16:37,000 --> 00:16:39,900
Ndio maana juhudi zetu zote
ilikuwa na kusudi:

362
00:16:40,200 --> 00:16:43,600
kuweka watazamaji
kwa nafasi yetu,

363
00:16:43,800 --> 00:16:46,400
na kuishi
kitu maalum kweli.

364
00:16:46,600 --> 00:16:48,900
Nadhani IMAX
itaruhusu kweli

365
00:16:49,100 --> 00:16:51,000
kwa watazamaji kujisikia
kwamba ni sehemu yake

366
00:16:51,300 --> 00:16:52,800
wa safari hii pamoja nasi.

367
00:16:53,000 --> 00:16:56,700
Utajitumbukiza kweli
ndani ya dunia hii.

368
00:16:56,900 --> 00:16:59,400
Nadhani Chris
ina njia

369
00:16:59,600 --> 00:17:01,000
kukutongoza ukiona 
sinema zake.

370
00:17:01,200 --> 00:17:02,800
Hivyo bila shaka,

371
00:17:03,000 --> 00:17:05,500
sawa hutokea
na muziki.

372
00:17:05,700 --> 00:17:07,800
Moja ya mambo ya kwanza
kile mtu anatarajia

373
00:17:08,000 --> 00:17:10,000
anapokwenda kuona
filamu nzuri kama hii

374
00:17:10,200 --> 00:17:12,500
katika sinema,
ni kusikiliza

375
00:17:12,700 --> 00:17:14,800
kubwa,
orchestra ya filamu.

376
00:17:15,000 --> 00:17:15,900
Lakini umeona hii hapo awali.

377
00:17:16,100 --> 00:17:17,600
Umesikia hapo awali.

378
00:17:17,600 --> 00:17:19,900
Kwa filamu hii,
Chris alitaka kitu tofauti.

379
00:17:22,700 --> 00:17:25,400
Tulitaka filamu ionekane hivyo
na ulimwengu unaojulikana,

380
00:17:25,600 --> 00:17:28,800
ingawa inafanyika
katika Ugiriki ya Kale.

381
00:17:29,000 --> 00:17:30,500
Hatukutaka ionekane hivyo

382
00:17:30,700 --> 00:17:33,300
na filamu zilizopita
ambayo walishughulikia

383
00:17:33,500 --> 00:17:35,100
na ulimwengu huu wa kitamaduni.

384
00:17:35,400 --> 00:17:37,500
Tunaweza kufanya nini?
ambayo haina wakati zaidi?

385
00:17:37,700 --> 00:17:40,300
Nilijua kwamba,
kuunda

386
00:17:40,500 --> 00:17:42,800
huyu kabisa
ulimwengu wa asili,

387
00:17:43,000 --> 00:17:46,000
Ilinibidi kutoka pia 
eneo langu la faraja

388
00:17:46,200 --> 00:17:50,500
na kugundua sauti nao 
ambayo sikuwahi kufanya kazi nayo hapo awali.

389
00:17:50,700 --> 00:17:53,000
Ludwig alifanya
utafiti wa kina sana

390
00:17:53,000 --> 00:17:54,700
kwa vyombo vya muziki

391
00:17:54,700 --> 00:17:56,200
ambayo pengine walitumia
wakati huo.

392
00:17:56,400 --> 00:17:58,000
Chris alikuwa ametaja
kutoka mapema

393
00:17:58,200 --> 00:17:59,900
kwamba alikuwa anavutiwa na filimbi.

394
00:18:03,200 --> 00:18:05,900
Pia alipendezwa na kinubi.

395
00:18:06,100 --> 00:18:08,300
Avlos ni Mgiriki wa kale
chombo cha muziki.

396
00:18:08,500 --> 00:18:12,200
Ilikuwa chombo maarufu zaidi
kwa takriban miaka 1,000.

397
00:18:12,400 --> 00:18:15,400
Hii hapa ni nakala
ya lumen.

398
00:18:15,700 --> 00:18:18,000
Ya asili ni tarehe
kati ya 6

399
00:18:18,300 --> 00:18:20,000
na karne ya 5 KK

400
00:18:20,200 --> 00:18:23,100
Hakuna mianzi iliyohifadhiwa.

401
00:18:23,300 --> 00:18:26,200
Hivyo ndivyo nilivyoshirikiana
na watu wengine wawili,

402
00:18:26,400 --> 00:18:29,100
na tulitumia muda mwingi
kujaribu kuelewa

403
00:18:29,300 --> 00:18:30,800
jinsi ilivyofanya kazi
sehemu hii ya juu.

404
00:18:31,000 --> 00:18:32,800
Ilitubidi tusome
vyanzo vingi vya zamani

405
00:18:33,100 --> 00:18:35,700
na kuelewa
jinsi walivyofanya.

406
00:18:40,400 --> 00:18:43,600
Huu ni ujenzi upya
ya kinubi cha kale cha Kigiriki.

407
00:18:43,800 --> 00:18:46,900
Ili tuweze yake
kucheza kwa usahihi wa kifalsafa,

408
00:18:47,100 --> 00:18:49,800
tunapaswa kuchanganya
utafiti wa iconografia,

409
00:18:50,000 --> 00:18:53,500
katika vyanzo vya falsafa
na uzoefu wa kibinafsi

410
00:18:53,700 --> 00:18:54,900
kama wanamuziki.

411
00:19:00,900 --> 00:19:02,600
Nzuri.

412
00:19:02,800 --> 00:19:04,700
Ulipigilia msumari kikamilifu.

413
00:19:04,900 --> 00:19:06,100
Jambo moja zaidi
iliyotajwa na chris,

414
00:19:06,300 --> 00:19:07,300
tangu mapema sana
katika mijadala yetu,

415
00:19:07,500 --> 00:19:08,600
ilikuwa ya kutumia
shaba.

416
00:19:08,600 --> 00:19:10,900
unajua,
ni Zama za Shaba.

417
00:19:11,100 --> 00:19:13,700
Kwa mfano,
gongo la shaba.

418
00:19:13,900 --> 00:19:15,300
Unaweza kufanya
vyombo hivi

419
00:19:15,300 --> 00:19:17,400
kusikilizwa kwa namna
ambayo hujawahi kusikia kabla.

420
00:19:19,200 --> 00:19:21,100
Tulianza majaribio
pamoja na mambo mengine mengi,

421
00:19:21,200 --> 00:19:23,100
kupiga kuta,
reli,

422
00:19:23,200 --> 00:19:26,200
chochote tulichoweza
ili kujua

423
00:19:26,500 --> 00:19:28,900
kama vile chuma chakavu
au vitengo vya hali ya hewa.

424
00:19:33,600 --> 00:19:36,000
Matumizi ya fonetiki
iliishia kuwa

425
00:19:36,200 --> 00:19:39,200
njia ya kuongeza
na katika wengi

426
00:19:39,400 --> 00:19:42,400
nyakati za kihisia
ya muziki.

427
00:19:44,700 --> 00:19:49,400
Kuna urafiki wa kweli
na ubinadamu katika wimbo wa sauti.

428
00:19:49,600 --> 00:19:51,700
Na napenda hivyo,
kwa sababu kwa namna fulani

429
00:19:51,900 --> 00:19:54,400
kuwapindua wote
matarajio yako.

430
00:19:57,700 --> 00:20:00,400
Baba yangu anarudi
nyumbani.

431
00:20:00,600 --> 00:20:01,800
Kuleta kisasi.

432
00:20:04,700 --> 00:20:07,300
Yeye huleta kila kitu pamoja naye.

433
00:20:07,500 --> 00:20:09,200
Mimi ni shabiki mkubwa
historia ya filamu,

434
00:20:09,300 --> 00:20:10,600
hasa zama za kimya.

435
00:20:10,800 --> 00:20:13,100
Mwonekano unarekodiwa
mbele ya kamera kulikuwa na kila kitu.

436
00:20:13,300 --> 00:20:15,500
maelfu ya wandugu,
mandhari ya kuvutia,

437
00:20:15,700 --> 00:20:17,600
maeneo ya ajabu.

438
00:20:17,900 --> 00:20:20,200
Kwa miaka mingi, na mageuzi
athari za kuona,

439
00:20:20,400 --> 00:20:22,000
wengi wao walipotea

440
00:20:22,200 --> 00:20:24,000
Uzalishaji wa Hollywood.

441
00:20:24,200 --> 00:20:26,600
Tunaweza
tufanye yote mawili.

442
00:20:26,800 --> 00:20:29,500
Tunaweza kurudi nyuma
katika zama za awali

443
00:20:29,700 --> 00:20:31,600
utengenezaji wa filamu,
lakini pia kuongeza

444
00:20:31,800 --> 00:20:33,200
ngazi nzima
mawazo na phantasmagoria

445
00:20:33,400 --> 00:20:35,100
shukrani kwa nguvu ya athari za kuona.

446
00:20:35,100 --> 00:20:38,300
Tunajaribu kufanya yote.
Hii ni Odyssey

447
00:20:41,100 --> 00:20:43,700
na hiyo inapaswa
kuwa kwenye skrini.

448
00:20:43,900 --> 00:20:46,900
Chris anarekodi filamu
kwa kiwango kikubwa sana,

449
00:20:47,100 --> 00:20:48,300
katika muundo huu mkubwa.

450
00:20:48,500 --> 00:20:50,300
Lakini kwa asili
hufanya filamu za kujitegemea.

451
00:20:50,500 --> 00:20:55,100
Na hiyo inajenga
hisia ya mvutano wa mara kwa mara.

452
00:20:55,300 --> 00:20:58,400
Yeye daima huenda maili ya ziada 
kuhisi kuwa kila kitu ni kweli

453
00:20:58,600 --> 00:21:00,000
kwenye seti, na ndivyo zinavyotokea

454
00:21:00,200 --> 00:21:02,400
kweli zaidi na kwa
watazamaji ukumbini.

455
00:21:05,200 --> 00:21:07,200
Watu wanajua hadithi,

456
00:21:07,400 --> 00:21:09,600
lakini yeye hana
sijawahi kuona kama hii.

457
00:21:09,800 --> 00:21:13,000
Na inastahili kuwasilishwa 
kwa kiwango kikubwa hivyo.

458
00:21:13,200 --> 00:21:15,600
Kama shabiki,
Siwezi kusubiri kuona filamu hii.

459
00:21:15,800 --> 00:21:17,400
Twende!

460
00:21:17,400 --> 00:21:19,700
Siwezi kusubiri kukaa chini
katika ukumbi wa michezo wa IMAX

461
00:21:19,900 --> 00:21:23,500
na kujipoteza kabisa ndani yake 
ulimwengu aliouumba.

462
00:21:23,800 --> 00:21:25,900
Ikiwa kuna sinema moja tu

463
00:21:26,100 --> 00:21:29,300
ambayo lazima kabisa
kuona kwenye sinema

464
00:21:29,500 --> 00:21:32,500
ni yeye, kwa sababu yeye
ni sinema

465
00:21:32,700 --> 00:21:34,100
katika hali yake safi.

466
00:21:35,700 --> 00:21:55,100
Manukuu: CRETA STAR